Adria Firestone Performer | Educator | Artist Mentor
International performance, university teaching, and career guidance for performing artists.
As published in Classical Singer, September 2008 Much like that wonderful line from The Princess Bride, “Hello. My name is Inigo Montoya. You killed my father. Prepare to die,” I warn you. As we begin the discussion of retiring from professional singing, prepare to be wounded. It is achingly difficult to think of giving up …
Continue reading “The Singers Addiction: How Do You Stop Singing?”
Una ‘Carmen de setenta metros Yesterday at a press conference here in Ávila, Spain, a 15th century walled city, I was asked did I get anything out of being in these ancient walls. There are a couple of paths to take with a question like that – be diplomatic and give a “Come visit Ávila” …
Classical Singer, Vol 13 No.1, January 2000 How do I project sensuality on stage … and feel good about it? In response to a recent letter, Adria Firestone, a mezzo specializing in the role of Carmen, detailed her in-depth approach to role study. Dear Miss Firestone: I have been having some difficulties with Carmen, for …
. . . But then, if you really want to embody a character onstage, isn’t it part of your discipline and responsibility to look like that character as well? Aren’t singers Olympic athletes? Aren’t we a performance package?
